My work explores how systems behave. I’m interested in feedback, control, and failure. How machines respond to signals, how people design safeguards, and how both adapt over time. Visually, I’m drawn to a mix of industrial design and organic shapes. Steampunk elements appear not as nostalgia, but as a way to imagine a future built with older tools — a future that might have existed if cybernetics had gone in a different direction.

Influences include the ideas of Norbert Wiener, Claude Shannon, and Alan Turing, alongside the biomechanical language of H.R. Giger’s organic machinery and the slight uneasy feeling of the fusion of technology and humanity. Rather than offering answers, the work presents objects and environments that feel familiar but slightly off. They sit somewhere between prototype and artifact, inviting viewers to think about how systems shape behavior, and how much control we’re willing to hand over to them.

Not From This World

Q: Who are you?

A: I am Cybernetician that use technology to make art. I make cybergoth music.

Q: What is this project about?

A: This project is about the morbid consequences of technology to humanity. I am inspired by the writings of the father of Cybernetics, Norbert Wiener.

Q: Are you a techno alarmist?

A: On the contrary, I love technology but also understand the paradox of technology to humanity as it can be both good and bad at the same time.

Q: Do you use AI?

A: Of course I use any technology I have access, to create art. I am also considering quantum computing, AI is another paint brush in my tool kit, a magical one.  The theme of this project is exactly that paradox of AI. I use AI to create content, yet the message is AI negative. 

Q: What is your musical influence?

A: I am influenced by industrial, metal music and goth culture. Where harsh and uneasy melodies reflect the harsh fusion of technology and humanity. The romantic goth aspect is represented with deep cello melodies and hyper emotional lyrics. 

Q: What is your latest album "Sensory Clarity" about?

A: This is an album about a cybernetic paradox. The humanity is on a mission to build the perfect machine, yet with our eyes we collect 10, 000, 000 bits of information per second and only use 10 bits for a human thought. Can a machine that is not perfect ever build the perfect machine?